Resource list for Chicago writers is here. Calendar of live lit events is here.
Warning to freelancers who are used to writing for money: In this strange world of literary publishing, in which you might spend years forging in the smithy of your soul the uncreated conscience of your race, you might get paid bupkis. For writing jobs that pay, click here.
For a list of print and digital literary magazines, click on the Community of Literary Magazines and Presses here.
For creative writing contests, click here.
To receive multiple daily reports about literary deadlines, send an email to the Creative Writers Opportunities List at crwopps-b-subscribe (at) yahoogroups.com. You may be overwhelmed by messages unless you create an email address that you use only to receive these CWROPPS notices. Or you can go directly to the CRWOPPS site, which is offered as a free service by poet and editor Allison Joseph.
For the Association of Writers and Writing Programs' literary calendar, click here. The annual AWP conference is the largest literary conference I know about. For info on the March 30-April 2, 2016 gathering in Los Angeles, click here. AWP also has a searchable database of college and university MFA programs.
If you would like to receive one literary notice a day, "like" Red Fish Studio Writing Workshop on Facebook.
For reviews of magazines as well as books and info about MFA programs, check out New Pages.
And if a bookstore (in Nebraska and Beyond Nebraska), magazine, writing program, artist colony, literary publisher or contest isn't listed on the Nebraska Center for Writers site, it might not exist. When you get to the site, look to the right for contents.
If you're looking for a writing coach or an editor, you've come to the right place. I meet with writers in person in the Chicago area, and by phone, email and post with writers who aren't. First 20-30-minute consultation is free. Contact me at SLwisenberg (at) sbcglobal.net .
I have been teaching for many years, but led my first workshop for genealogists at the fall meeting of tthe Jewish Genealogical Society of Illinois. My topic was "Making the dead dance: how to breathe life into your ancestors,” Sunday, Nov. 22, 2015, at Temple Beth-El in Northbrook. I had a lovely handout called "Who Else was on the Boat?" Here's a description of the event: You’ve found the names, you’ve located the shtetl or city, gone through ship manifests and census records--but all they add up to are names and dates on paper or in a computer file. How do you take the bare bones of someone’s life and turn them into flesh and blood? In this workshop you will find out what strategies have worked for nonfiction writers who write about their ancestors. These writers have stuck to the facts, though they’ve allowed themselves a supposition or two. Feel free to bring information about one particular ancestor, especially photos, as well as your questions. This session will be informal, with plenty of chances to ask questions and time for a few short writing exercises. You’ll leave with ideas for more research and new strategies, and excitement about the possibilities.
In late October 2015 I was on two panels at Nonfictionow in Flagstaff, Arizona: "You lived through it; do we have to read about it?" with Tom Larson, Elizabeth Kadetsky and Janice Gray; and "What does Theory Have to do With It?" with Sarah Heston and Julija Šukys. You can read about other panels and the keynotes at Assay: a Journal of Nonfiction Studies.
I have a piece in the just-published (November 2015) anthology Brief Encounters (W.W. Norton), edited by Dinah Lenney and the late Judith Kitchen, a wonderful writer and a generous soul. The piece was first published in Brevity .
God told me to run for president. God wants you to read about it here or here and to leave a comment or post it on Facebook.
April 16-19, 2015 I was able to take part in the 7th annual Bet Debora conference of mostly-European Jewish feminists, this time in Hoddesdon, Hertfordshire, England. For the occasion I created Zen Cohens (a term I wish I had invented), a takeoff on Zen Koans. Mine were mostly paradoxes having to do with women and power and will be published in a Bet Debora anthology.
At the AWP conference in Minneapolis April 2015 I was part of a lovely panel, "Detours of Intention: Travel Writing, Privilege, and Perspective," with Tom Montgomery Fate (moderator) and Michele Morano, Tim Bascom, and Miles Harvey. But what I'm most proud of is that, with much help from Rick Robbins, I got AWP book fair participants to donate one toiletry/person from their hotel rooms. About five boxes of toiletries were sent to a local shelter. I spearheaded a similar collection at Nonfictionow, but the conference hotel foiled us! Shampoo and soap were dispensed from wall units in the shower, and the coffee packets in the room were made to fit just one type of coffee machine.
I'm working on an essay collection about the South. To read my story about a destination bar mitzvah in Selma, click here. To read my piece about a 1965 survey of Selma Jews on integration, click here. To read my take on black-Jewish relations and the 49th anniversary of Bloody Sunday, go here. And here's my piece from the Houston Chronicle online about books to read after you've seen the movie Selma.
My nonfiction piece, "Jew in the Body," was posted on Ars Medica last year and was deemed Notable in Best American Essays 2015. For my prose poem "Chemo/Lawn" accompanied by photos of (tiny) lawn furniture on my head, see Masque & Spectacle, posted March 1, 2015.
My story "Brunch" from the New Yorker was reprinted January 2015 in Life Is Short, Art is Shorter, ed. David Shields and Elizabeth Cooperman. Here Shields and Cooperman interview themselves about the book.
Interviews & recordings
Links to short pieces
- Am I sorority material? Rushing, 10 years too late
- Craft essay: Notes on Eternity
- Destination bar mitzvah in Selma (feature)
- Furniture rental workers, Houston (creative nonfiction)
- How could they run a seder without me? (prose poem)
- If I ran for lt. guv (very lite)
- If the "story" could talk (creative nonfiction)
- In a Sympathetic Light... (poem)
- Interview 1 with Freedom Rider Thomas Armstrong
- Interview 2 with Freedom Rider Thomas Armstrong
- Liberator (fiction)
- Sheets (fiction)
- The Bobolinis (poem)
- Waiting and knowing and not knowing (creative nonfiction)
- What is good writing? With some good links
- Yang (poem)
- review of Nora Ephron's penultimate book
based on her blog. She is working on another nonfiction book, Moments in Selma & Other Glimpses of the South (with more Jews than you would think), to be published in 2015 by the University of Georgia Press.
She grew up in Houston and lives in Chicago. Her M.F.A. is in fiction from the University of Iowa Writers' Workshop; her B.S. is in journalism from the Medill School of Journalism. She was a feature writer for the Miami Herald and has published prose and poetry in The New Yorker, Ploughshares, Tikkun, New England Review, Michigan Quarterly Review and many other places. Her anthologized work is in Short Takes: Brief Encounters with Contemporary Nonfiction (Norton) and Creating Nonfiction: A Guide and Anthology (Bedford/ St. Martin's) . Her nonfiction has appeared in Lilith, River Teeth, Fourth Genre, the Pinch, Crab Orchard Review and Colorado Review, Common Review and The Progressive. Her fiction (excerpts from her novel manuscript, In the House of the World) can be found in Prairie Schooner, Seattle Review and a few other literary magazines. She was a blogger for The Huffington Post and from 2004 to 2014 was co-director and director of Northwestern's M.A./M.F.A. in Creative Writing program. She is now an instructor and head of teaching internships in the program. She has been the literary editor of TriQuarterly, and the creative nonfiction editor of Another Chicago Magazine. She's received a Pushcart Prize and fellowships from the Illinois Arts Council, Fine Arts Work Center in Provincetown and the National Endowment for the Humanities. For the spring semester 2013 she was the Coal Royalty Chair at the University of Alabama, teaching in the MFA program. She was the graduate faculty recipient of the 2006-2007 Distinguished Teaching Award, presented by what is now known as Northwestern University School of Professional Studies.
E-mail her at SLwisenberg (at) sbcglobal.net.
Sandi was a substitute portrait artist at an amusement park, Astroworld, which has since been destroyed. (She was nowhere near it at the time.) Despite the worst grades of her life senior year in college, she was accepted into the Iowa Writers' Workshop at the University of Iowa. Nobody was talking about "creative nonfiction" back in those days. She is convinced she was accepted because she submitted a short story written in the second person, and this was before Jay McInerney used it in Bright Lights, Big City. She studied fiction, worked for newspapers, wrote fiction, did journalism, and so on and so forth. She has also written book reviews and poetry. She spent three wonderful summers teaching journalism cherubs at Northwestern. She spent four other wonderful summers getting educated by Uncle Sam in the National Endowment for the Humanities' summer seminars. She's taught writing at Northwestern, DePaul, School of the Art Institute of Chicago, Ragdale, Roosevelt and University of Chicago Graham School creative writing certificate program. To celebrate the end of chemo, she went to Philadelphia for a weekend mosaic class with Isaiah Zagar.
Reviews of The Adventures of Cancer Bitch:
--Chicago Tribune, 10/15/10
"Best book for someone who likes the idea of the Oprah Book Club but thinks they're too cool"--Time Out Chicago, 12/31/09
"... smart, self-deprecating sense of humor..." --MORE magazine, "Tackling Breast Cancer with Humor Books"
“witty and relentless, surprising and honest" –Audrey Niffenegger, author, The Time Traveler’s Wife
"S.L. Wisenberg’s The Adventures of Cancer Bitch (2009) is among the most Jewishly informed of the recent memoirs. It is also among the most poetic.”--Jewish Woman magazine, Winter 2010
“deeply personal, often darkly funny"–Kirkus Reviews
“far more selfless than most illness memoirs. Its eyes rove outward more than almost anything else I’ve read in the genre….The book is funny, damned funny.”--Bookslut.com
"Wisenberg brings her serious writing chops to bear in unflinching observations on breast cancer, cancer research, and teaching." --Library Journal
"(An) incredible book.... Wisenberg is acerbic, unsettling, truthful, and often hilarious." --Rain Taxi, Summer 2009
"Her ego shows, but so does her vulnerability."--
"I fell in love with the Bitch, her scalpel-sharp wit, and searing take on the breast cancer industry, where multinational corporations continue to join the breast cancer activism movement ('hop on the Pink bandwagon'). I loved her even more when, after she lost her hair to chemo, she decorated her head with henna designs and the slogan U.S. Out of Iraq."--Brevity
"[H]er book about her journey through the cancer experience is a must-read for anyone you think is tough enough to take it." --Herizons (Canada)
“...Sandi uses acerbic self-reflection to search for higher truth (both spiritual and medical).”--
“…like the best of the savage memoirs, it’s doused in hope. --Newcity Chicago
“Think David Sedaris meets Marcel Proust, only Wisenberg is fully a woman.” –UC San Francisco Breast Care Center newsletter
"I found myself laughing at the author's antics while dealing with the seriousness of her condition, and I found myself sobbing at points where her depression and darkness haunts her recovery through chemotherapy."--FeministReview.com
"[The title] conveys her feistiness, sardonic sense of humor, fighter attitude, and willingness to speak the truth as she sees it."--Jewish Book WorldRead about Cancer Bitch and much more in Mary DeShazer's Mammographies: The Cultural Discourses of Breast Cancer Narratives.
Places where I've read my work, led a class, and the like (selected)
- AWP conference panels, 2003, 2004, 2005, 2006, 2010, 2012, 2013
- Antioch College & Antioch University Midwest, 2012, 2014
- Aquinas College, Grand Rapids, MI 2009
- Art & Medicine conference, University of Iowa, 2008 (keynote), 2009 (workshop leader)
- Brown University, 2013
- Center for the Writing Arts, Northwestern University, 2002, 2009, 2013
- Columbia College Creative Nonfiction Week, 1998, 2002, 2006, 2010
- Dallas Museum of Art, Arts & Letters Live, 1994, 2002
- Drew University, 2003
- Gilda’s Club Chicago, 2009
- Gilda’s Club Delaware Valley, Warminster, PA, 2009
- Grand Valley State University, MI, 2009
- Jewish Book & Culture Fair, Milwaukee, 2001
- Jewish Book Fair, Houston, 1994, 2001, 2002, 2009
- Lafayette College, Easton, PA, Close Writer in Residence, 2004
- Lake Forest (IL) College, 2010
- Loyola University Chicago, 2001, 2009, 2011
- MLA convention panels, 2002, 2008, 2014
- Miami Book Fair International, 2002, 2009
- Minnesota State University-Mankato, Eddice B. Barber Visiting Writer Program, 2005
- Oakton Community College, 2010
- Printers Row Book Fair, Chicago, 1993, 1996, 1999, 2002, 2004, 2005, 2006, 2007, 2009, 2011
- Purdue University, Jewish Studies Lecture Series, 2001, 2004; Cancer Culture & Community program, 2007
- Ripon (WI) College, 2007
- Texas A & M University, 2001, 2006
- University of Alabama, Bankhead reading series, 2009
- University of Iowa NonfictioNow conference, 2005, 2007, 2010
- Valparaiso University, 2011